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The Influence of Television, 2007.
A review of "Presidential Elections in the Age of Television" by Jennifer Truran Rothwell.
916 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
This paper discusses the article "Presidential Elections in the Age of Television". The paper looks at how Rothwell's article shows the role of television by examining the outcome of various presidential elections. The paper discusses Rothwell's idea of television as a political medium and the role of money in politics. Finally, the paper looks at Rothwell's suggested reforms that might curb the influence of television on political races.
From the Paper
"When I think of television's influence on elections, my mind jumps to the presidential debate between Richard Nixon and John F. Kennedy in 1960, but Rothwell says the medium's effect can be traced farther back than that. Rothwell says television first became a part of the political scene in 1948, when the networks first covered the Republican and Democratic conventions, and when Harry Truman ran the first political advertisement."
"Rothwell also points to the 1952 presidential election, in which Dwight Eisenhower hired an advertising firm to create an advertising campaign for television. Eisenhower's opponent, Adlai Stevenson, criticized Eisenhower's advertising firm for selling a candidate the same way it sells inanimate objects, but Stevenson, too, used some advertising."
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Special Effects, Animation and Jurassic Park, 2007.
This paper describes the revolutionary dinosaur images in Stephen Spielberg's 1993 film, "Jurassic Park."
1,569 words (approx. 6.3 pages), 4 sources, MLA, $ 51.95
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Abstract
The paper discusses the revolutionary special effects and animation used in Spielberg's film, "Jurassic Park." The paper reveals that this film opened the door to a new, eye-popping kind of realism in animation for movie audiences. The paper describes the realism of the dinosaurs and attributes this to the special effects creators, the contractors of the Industrial Light and Magic (ILM) group. The paper examines the technology that ILM used in order to produce such realistic computer-generated images.
From the Paper
"In just about every retail store in America the marketing barrage featured JP action figures, lunch kits, videogames, candy, posters, latex masks, playing cards, children's toiletries, and more, according to Washington State University professor Michael Delahoyde (www.wsu.edu). But it is possible JP would have turned a record profit anyway (it made $870 million worldwide and cost $63 million to produce), without all the marketing trappings, because the animation was so intense and realistic. It was almost like these dinosaurs could walk off the screen and into the lobby where popcorn was being sold."
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"Good Night, and Good Luck", 2007.
This paper discusses media ethics in the movie "Good Night, and Good Luck."
999 words (approx. 4.0 pages), 4 sources, MLA, $ 35.95
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Abstract
The paper describes how the film, "Good Night, and Good Luck"
takes place in the hostile environment of the "Red Scare" in 1950s America. The paper relates that "Good Night, and Good Luck" tells the story of the CBS broadcast team who overcome immense pressure from sponsors, owners and even the government in an attempt to broadcast the truth to America. The paper examines how the characters face three ethical dilemmas that are a reflection of the difficult ethical choices that exist in the media.
From the Paper
"There are numerous ethical issues facing the characters in "Good Night, and Good Luck." The primary ethical issue is Edward Murrow's quest to maintain what he believes his right from wrong in his reporting of the news. A second ethical issue is Joseph McCarthy's apparent unethical decision to use lies to get his point of view across. He calls anyone that crosses or dares oppose him a Communist. A third ethical decision involves the CBS Studio who decides to turn a blind eye to the in house marriage which is against company rules and regulations."
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Talent Trends, 2007.
A look at the trends of award-winning roles at the movies and on television.
1,453 words (approx. 5.8 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper discusses how looking at the recipients for the major film and television awards for 2006 reveals distinct trends. It looks at how history has clarified many of the trends that help determine which actors and which films win awards and how nominated movies are almost always big budget, large scale productions. It also examines how critics and motion picture academies tend to like films about overcoming obstacles: including war, racism, and physical or mental disabilities and how audiences and critics alike are fascinated with unique and exceptional individuals, whether disabled or celebrity.
From the Paper
"Film awards may serve as cultural barometers and as reflections of current consciousness and cultural ideals. Helen Mirren's portrayal of Queen Elizabeth humanizes one of the most emotionally distant public leaders. Audiences want to see their heroes and nemeses humanized. Superhero movies are fun but their impact on human consciousness is minimal. We want to watch strong characters grapple with tough decisions and survive against the odds. Films depicting legal battles against major corporations denote the victory of the little man: a favorite American theme. We want to see intense suffering turned into personal triumph, which is integral to the mythos of our culture."
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"The Godfather" by Mario Puzo, 2007.
This paper demonstrates the ethical superiority of the written prose "The Godfather" over the visual film directed by Francis Ford Coppola.
1,236 words (approx. 4.9 pages), 3 sources, MLA, $ 42.95
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Abstract
The paper explains that one of the dangers of portraying violence on film is that anything on the cinema screen takes on a kind of glamour. The paper portrays how a shoot-out even has a kind of beauty in Francis Ford Coppola's "The Godfather." The paper contrasts this to the cool, blunt force of Mario Puzo's prose in the original novel that more effectively shows the consequences of living in a violent and lawless world. The paper demonstrates how Puzo's book ultimately forces the viewer to think critically about violence, rather than simply become drunk upon bloody, violent images of primitive Italian revenge.
From the Paper
"Mario Puzo places the Mafia's history and legacy in a historical context that takes away some of the glamour of its power. The Mafia is not a silent, deadly, unstoppable force that suddenly and inexplicably rears its head in history. It is not just an exotic Italian import, like pasta and oranges, in contrast to the rather bland wholesomeness of Michael's traditional American fiancee. In the film, the Mafia could be luring behind any corner, like a monster, which also makes it perversely attractive, like Dracula, while Puzo clearly situates the rules of the organization, how such apparently silent but deadly attacks can occur, and also shows how easily violence can become tolerable within a society, society, and an individual's psychology."
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Maid in Manhattan, 2007.
This paper studies the film 'Maid in Manhattan' as a portrayal of cultural influences.
1,264 words (approx. 5.1 pages), 6 sources, MLA, $ 42.95
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Abstract
In this article, the writer maintains that the overt message of the film 'Maid in Manhattan' is that "love conquers all." The writer points out that in real life, however, cultural differences between people are often complex and difficult to overcome. The writer discusses that as the story has very little substantial content and is really meant only to entertain, instead of looking for the messages it sends purposely, it is helpful to look deeper for messages, such as the casting of the characters, to see how the film portrays ethnicity. The writer claims that ethnicity and culture are treated in the film as though they are not very important in the larger scheme of things. The writer concludes that the message is that the rich treat the poor who serve them as though they were not really human beings.
From the Paper
"Puerto Ricans are actually migrants, not immigrants. Their island became a protectorate in 1898 when the U. S. won it in the Spanish-American War. As natural citizens, they should have an advantage over immigrants from foreign countries; nevertheless, life in the U. S. has been difficult for them. Puerto Rican migration occurred from 1946-1959. Most of the migrants were jibaros, farm workers, poor and uneducated, who moved into large city slums. Since then, they have been subjected to discrimination, denied employment opportunities, and kept out of nice neighborhoods. The film hints at this when Marissa tells Chris he ought to spend some time in the Projects and get to know the people living in them. She tells him he could then speak knowledgably about low-income housing, and wouldn't have to memorize a speech."
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"Raiders of the Lost Ark", 2007.
A review of the plot of "Raiders of the Lost Ark," directed by Steven Spielberg and George Lucas.
1,194 words (approx. 4.8 pages), 0 sources, $ 40.95
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Abstract
This paper reviews the film "Raiders of the Lost Ark" (the first action adventure of a series of Indiana Jones movies), directed by Steven Spielberg and George Lucas. The paper introduces and discusses in detail, the basic plot of the film. It also briefly discusses characterization and camera use in some of the scenes of the film.
From the Paper
"The final scene involving the Nazis and the rescue of the ark, is the site where the Nazis, who have retrieved the ark, plan to open it to discover its secrets, is one that employs the most intense special effects of the film. There is panning to set up the sense of how Indy is greatly out numbered by the Nazis and a lot of medium shots of Indiana as he poses with a rocket launcher threatening to destroy the ark. Of course, as an archeologist, he can't himself to do that, and surrenders to the Nazis. Taken prisoner with Marion, once again, there is a montage of action as the special effects through light and laser demonstrations take over to the thundering warning of the music warning the viewer of doom. In the end, the Nazis are destroyed with close ups of their faces melting through the layers of skin, ligament to bone demonstrating, first, their horrific terror of what they are seeing just before they disintegrate."
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"Nosferatu", 2007.
An analysis of the effects of the style of film-making used by Friedrich Wilhelm Murnau in his production of "Nosfertu."
1,074 words (approx. 4.3 pages), 5 sources, MLA, $ 37.95
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Abstract
This paper discusses Friedrich Wilhelm Murnau's production of the film, "Nosfertu" (based on Briam Stoker's novel) in 1922. It describes the profound effect that his film had on the way that books are adapted for films. It also discusses how his German filmmaking techniques had a major impact on the "look" and style of American movies for decades to come.
From the Paper
"Today, of course, with the many horror films, "Nosferatu" is tame. However, it truly set the stage for what was to come. Like an old-fashioned pounce film, its artistry, innovation and images evoked emotions in the viewers. A large part of the movie is shot in lurking shadows. The screen's corners are used more than a typical film where characters hide or shiver from fright; this following the composition rule that tension is created when the main character of a shot is removed from the middle of the frame."
"Murnau was one of the most accomplished orchestrators of tone, atmosphere, space and tempo in the history of the medium. Although his films became most known for artful lighting and composition, he argued that the goal was something more visionary than picturesque. "There should be no such thing as 'an interesting camera angle,' " he once argued. "The angle itself has no significance, and if it does not intensify the dramatic effect of the scene, it can even be harmful" (Washington Times, B01)"
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Group Think, 2007.
This paper examines group think behavior, using its portrayal in the film "Twelve Angry Men" as a basis for discussion.
1,665 words (approx. 6.7 pages), 1 source, MLA, $ 54.95
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Abstract
In this article, the writer first explains that group think is a way of thinking when a group of people are together and decisions are often made due to loyalty and cohesiveness rather than critical evaluation. The writer studies evidence of group think apparent in the storyline of the film "Twelve Angry Men". The writer notes that perhaps the most important remedy for group think was clearly portrayed and that was the presence of critical evaluators who point out the errors of key members of the group. The writer shows how decisions were made via group think and then looks at how the members of the jury in the film were shown how their original argument is not sound.
From the Paper
"In the film Twelve Angry Men, the situation is a little different. The members of the group are on a jury and have never met before, nor will they be likely to meet again afterwards. They have only one task to accomplish, and that is to decide on the guilt or innocence of an 18-year old boy from the ghetto accused of murder. For the boy, the stakes are high because the law mandates the electric chair if he is found guilty. In the beginning of the deliberations, eleven of the twelve members are already in agreement. They have heard the prosecution's case and found no fault with it. They believe so strongly that the boy is guilty they feel invulnerable (at least, as long as they stick together, that is, as long as they are cohesive). As a group, they want to hurry up and find him guilty, so they can go home."
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Girl, Interrupted, 2007.
This paper provides an analysis of the film "Girl, Interrupted" of 1999.
1,249 words (approx. 5.0 pages), 1 source, MLA, $ 42.95
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Abstract
In this article, the writer discusses the film "Girl, Interrupted", which is based upon Susanna Kaysen's memoir of the same name. The writer notes that the film makes frequent use of the stock cliches of films representing female madness. The writer points out that the message of "Girl, Interrupted" is really that Susanna is an innocent and unjustly accused person, not that the way society treats the mentally disturbed is fundamentally cruel or inhumane. The writer maintains that the more stereotypical the representation of woman and madness, the more poignant Susanna's plight seems and the less her psychiatrists understand her.
From the Paper
"The insanity of the therapists at the asylum is highlighted by the fact that the main problem Susanna's therapist has is that Susanna sleeps with her boyfriend and kisses an orderly while incarcerated. Susanna sees this as an act of proto-feminist defiance and points out that if she were a boy, she would not be labeled as promiscuous. Her stuffy therapist disapproves, of course, but the audience is meant to cheer. Obviously, the really crazy character is her uptight therapist, not the young woman. This is a fairly easy ideological victory for the film, as essentially it is penalizing the therapist for not embracing contemporary norms of female sexuality. What seemed abnormal for a girl in the 1960s is no longer abnormal today, but this says little about the so-called madness of the other characters. It merely states that some harmless behaviors were once called insane, even though the behavior of most of the inmates, like self-immolation, laxative abuse, and drug addiction, are not harmless."
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'March of Folly' and 'Fog of War', 2007.
This paper discusses the writer's reaction to Barbara Tuchman's 'March of Folly' and the movie 'Fog of War'.
1,261 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
In this article, the writer discusses that Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' provide different historical lenses with which to view contemporary problems and issues. The writer explores each of the projects and shares reactions to them in a personal manner. The writer notes that it is important to learn from the past so that society can avoid making the same mistakes in the future and one of the ways that this can be avoided is to understand contemporary issues and how they impact the world. The writer concludes that in Barbara Tuchman's 'March of Folly' and the movie 'Fog of War' one can obtain a sense of contemporary problems as well as the importance of understanding history in the effort to avoid repeating mistakes.
Outline:
Introduction
Fog of War
Conclusion
From the Paper
"This man was brilliant. He was supposed to be someone who could look at a problem and produce the best solution. If that was possible he would have surely advised against the wars that he helped improve."
"The one thing the film and the book do have in common is the repeated evidence that history will repeat itself.
McNamara went through World War II and presumably saw from that experience that war should be avoided at most costs, however, he was more than willing to advise during the Vietnam conflict."
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"Band of Brothers", 2007.
A brief review of Stephen Ambrose's book, "Band of Brothers" and the mini-series that is based on it.
837 words (approx. 3.3 pages), 0 sources, MLA, $ 29.95
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Abstract
This paper briefly examines Stephen Ambrose's book, "Band of Brothers," which was supposedly taken from Act IV, Scene 3 of William Shakespeare's "Henry V." It also discusses the mini-series, based on the book and lists the ten episodes, with a brief description, in the series. The paper suggests the lessons that should be learned regarding war, from this book.
From the Paper
"The title of Stephen Ambrose's book Band of Brothers was supposedly taken from Act IV, Scene 3 of William Shakespeare's Henry V. It is part of the speech delivered by Henry V before the Battle of Agincourt and indeed the lines We few, we happy few, we band of brothers; / For he to-day that sheds his blood with me / Shall be my brother; be he ne'er so vile, capture the essence of brotherhood of war where men (and women nowadays!) with varied backgrounds became brethrens in the face of the horrors of war and battle. The HBO mini-series adaptation of Ambrose's book gave the visual and auditory narrative of the accounts presented in the book. The series portrays the evolution of Easy Company of the 506th Parachute Infantry Regiment of U.S. 101st Airborne Division from their training days in Camp Toccoa, Georgia during the summer of 1942 to their "baptism of fire" in various battles in the European Theater of Operations up until the fall of the Nazi Regime and their capture of Berchtesgaden prior to the conclusion of World War II."
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Organized Crime, 2007.
This paper discusses organized crime and looks at how it is portrayed on the screen.
783 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
In this article, the writer discusses that popular culture portrayals of organized crime are sordidly romantic. The writer notes that stories of organized crime include titillating themes of betrayal, backstabbing, murder, and intrigue. Further, the writer points out that organized crime also depicts the triumph of the underdog: the would-be poor immigrant growing rich in spite of being hounded by the big bad cops. The writer concludes that organized crime can destroy families, communities, and larger social organizations and is rarely as romantic as it seems on the silver screen.
From the Paper
"Movies like Goodfellas and television shows like The Sopranos are perfect examples of how organized crime is romanticized in pop culture. The bad guys don't seem so bad because they have families, friends, and a code of ethics. Even if their code of ethics is warped, audiences root for the gangsters because they earned our trust and sympathy. Based on pop culture definitions alone, I could define organized crime as a collective response to political, social, and economic injustice. Most television and film mob families are working class minority or immigrant groups. Their criminal activities help them achieve the American dream. They might break the law, but also help pour money back into their communities. In fact, organized crime syndicates take the law into their own hands when the establishment falls short. Cops in mafia movies are usually as corrupt as the gangsters."
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Angelina Jolie, 2007.
This paper discusses stardom and looks at how Angelina Jolie became famous.
2,867 words (approx. 11.5 pages), 3 sources, MLA, $ 85.95
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Abstract
In this article, the writer notes that a celebrity can be defined as a person who enjoys a high amount of notoriety, a socially visible individual upon whom public attention and admiration is focused. The writer relates that when talking about Angelina Jolie, the first thing that comes to mind is her beautiful figure and comments related to that aspect. The writer maintains that one could say that Angelina Jolie is famous, firstly and especially, for her good looks. In this essay, the writer discusses what made Angelina Jolie a star. The writer concludes that as an entertainer, Angelina Jolie is a celebrity because of her ability to stand out from the crowd, to point out to everyone her individuality, to position herself on a suitable niche and because of her clever management of own personality.
From the Paper
"Stardom is often associated with beauty and wealth, and always with being famous and living the dream. Having a famous face is although not always synonymous with having a beautiful face (or body). Usually, originality and less ordinary features are the ones who enhance the possibility of becoming famous, because the things that are special and different are more likely to be remembered and looked upon as symbols or role models. The explanation comes from the general tendency towards breaking free from routine, from uniformity and plainness. Individuals feel the need to be entertained, to be dazzled, to be saved from day to day issues and cliches, ordinary people hunger for out of the ordinary stories and characters that can make them feel like they are an integrated part of the fairy tale. But looks aren't everything when it comes to the making of a star. In order to earn or gain celebrity, one must perform or act in a captivating way. What one can do is as important as how one looks."
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"The Trojan Women"--A Film Review, 2007.
A review and analysis of Michael Cacoyannis' film "Trojan Women."
917 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
This film review describes the challenges of translating the medium of Euripides' ancient Greek drama "Trojan Women" into cinematic technique. The paper explores how Michael Cacoyannis did this in his 1971 adaptation of the Greek tragedy. One method Cacoyannis used was using familiar character archetypes or actors to generate immediate interest in the plot. He also chose famous actresses to star in the film. The reviewer offers his own critique of the film, concluding that rather than making Euripides more intimate, the film only created a wider divide between the great Greek tragedian's world and today's.
From the Paper
"The characters endure very extreme situations, like having their child murdered by Greek soldiers or being forced to become concubines. However, the long, formal speeches that dominate the screenplay, no matter how well-delivered, do not convey a sense of reality. Even close-ups of the women's contorted wailing faces do not stimulate empathy in the heart of the viewer. The advantages of film as a medium, as opposed to the stage, might be defined as being able to convey emotion without a great deal of hysteria, as might be seen in 'real life.' However, Euripides' play did not attempt to convey a realistic portrayal of life, but show a myth on an epic scale."
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"State of Siege", 2007.
An examination of "State of Siege," a 1972 film by Costa-Gavras.
1,570 words (approx. 6.3 pages), 6 sources, MLA, $ 51.95
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Abstract
The paper examines the film "State of Siege" about the interrogation and assassination of a CIA case officer by unnamed South American urban revolutionaries. The paper reveals that its story is based on real-life events in Uruguay when a U.S. Agency for International Development (AID) official, Dan Mitrione, was kidnapped by the Tupamoros (a left-wing urban guerrilla group) and eventually executed. This paper offers a summary of the movie and discusses how far it has depicted the real life events by researching who the Tupamoros and Dan Mitrione really were. The paper notes that the film is criticized for being biased against the Americans, but concludes that it is largely an accurate portrayal of events that took place in Uruguay in 1970.
Outline:
Summary of the Film
American Criticism of the Film
The Tupamaros
Who was Dan Mitrione?
Conclusion
From the Paper
"Gavras then uses his familiar technique of flashbacks, rapid cross-cutting from one location to another and aggressive background music (also used in Gavras' other notable films, "Z" and "The Confession") to create chilling suspense and to move the film forward at a relentless pace. We are shown a flashbacks of the kidnapping of Santore by the young guerillas; interspersed with scenes of the local (read Uruguay) Parliament arguing over the existence of a paralegal police death squad, back to the rebels' interrogation of Santore, evidence of America's interference in South American politics and so on and so forth until the film ends with a scene of another American AID official being received at the airport, watched by a defiant face (a member of the Tupamoros, perhaps?)--signifying the continuance of the frustrating cycle despite what has just taken place."
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Christopher Reeves and Tom Hanks, 2006.
A discussion and comparison between the public speeches of actors Christopher Reeves and Tom Hanks.
1,321 words (approx. 5.3 pages), 2 sources, MLA, $ 44.95
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Abstract
This paper reviews, discusses and compares the speech made by Christopher Reeves at the National Democratic Convention, and by Tom Hanks at Vassar College. According to the paper, the speeches are given nearly a decade apart, but both actors appeal emotionally to the audience for help.
From the Paper
"Tom Hanks takes somewhat longer than Reeve to reach the thesis of his speech. After the opening humor, he begins his speech with a statistical claim relating to the "power of four". According to a study, only four percent of cars need to be removed from gridlocked highways to secure the free flow of traffic. Hanks uses this premise to appeal to his audience's sense of power. It is interesting to briefly note that Reeve's statistic is very similar: one in five people suffers from a disability; in other words, for every four people without disabilities, there is one who does. There are therefore four healthy people in five to whom Reeve is addressing his appeal for help."
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Do We Feel For Our Soldiers?, 2007.
This paper proposes a study that will examine whether movies about war realities will change how much the public empathizes with soldiers.
1,384 words (approx. 5.5 pages), 6 sources, MLA, $ 46.95
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Abstract
The paper presents a research proposal designed to test empathy change after viewers watch a movie about the realities of war. The writer produces a problem statement, a short literature review, an explanation of method to be used and the way the data will be collected. The paper also notes the weaknesses of this study.
Outline:
Introduction
Statement of Problem
Literature Review
Methods
Data Collection
Participants
Conclusion
From the Paper
"The realities of war do not seem real to people when the war is halfway around the world. This lack of empathy on the part of society can create problems for returning soldiers as well as soldiers that are fighting the war currently. One of the things that helps boost morale in the war zone is for the soldiers to believe that their nation stands behind their efforts. Whether one believes in the war or not, the support for the soldiers has not been questioned since the beginning of the war, however, as people go about their daily lives they tend to forget that there are soldiers in desert areas being shot at every day. The empathy factor is often missing when it comes to Americans and the war."
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